THE DRAGON GUN

June 10, 2009

MARC KREBS CREATES A FIRE-SPEWING STEEL DRAGON

By RONI TOLDANES

Drag’on (drag-ɘn) n. [Latin dracon, draco]: A huge serpent; a mythical animal usually represented as a monstrous winged and scaly reptile breathing out fire.

dragongunThe definition above is from Webster’s Ninth New Collegiate Dictionary, the accepted authority on the language of English. Now, here is a definition from accepted authorities in shooting:

dragon (drag-ɘn) n. [Latin dracon, draco]: A gorgeous animal represented by smooth lines and expansion chambers; breathing out fire and spewing full metal jackets.

To the layman this may be a confusing definition, but it’s the only way we can describe this gun cre­ated by Marc Krebs. Incredible pistol­smithing artistry has made Krebs one of the country’s most popular gunsmiths.

This gun reflects the absolute latest in handgun tech­nology, but we won’t tell you right away what com­ponents were utilized. In order to appreciate this masterpiece, we have to understand the creator and what inspired him to build this fire-breathing steel sculpture.

FAMILY OF ARTISTS

Marc Krebs, 40, came from a family of artists. That explains why most of his customers consider his custom guns as works of art. “I’m a combination of 60% gun­smith, 30% machinist and 10% artist,” he says.

Krebs was born in Seattle, Washington but grew up in Northern California. He admits to having been the “bad kid” on the block. The early chapter of his teenage story, he says, “wasn’t something parents would be totally proud of.”

But despite his early failures in life, Krebs pursued his dreams. “Early in my childhood, I was totally fascinated with dinosaurs and then later on with knights in armor,” he says. “Then I started liking guns.”

Krebs attended a gunsmithing course at Lassen Col­lege in Susanville, California, where he exhibited excep­tional gunsmithing aptitudes. One day, Krebs surprised his teacher with an unusual 9mm semi-auto carbine that he built “from scratch.”

Designed to perform like the famous Israeli-made UZI, the gun was all-original, except for the barrel. “I was thrilled,” he says, “because I thought it was really something that would take the country by storm.”

Krebs lightened the slide for a flawless function even with super-light steel loads. This was accomplished without compromising the slide’s structural integrity. Krebs sliced off nearly an inch of the frontal area to expose the Schuemann hybrid barrel. He then carved the “dragon eyes” on both sides of the slide. Photos by Y.Sued

Krebs lightened the slide for a flawless function even with super-light steel loads. This was accomplished without compromising the slide’s structural integrity. Krebs sliced off nearly an inch of the frontal area to expose the Schuemann hybrid barrel. He then carved the “dragon eyes” on both sides of the slide. Photos by Y.Sued

Like a bubble, however, Krebs’s dream of mass-pro­ducing the carbine burst. He failed to get any financier to fund his ideas, but he didn’t fail his gunsmithing class either. Instead, he received high grades for his ingenuity. And his gun became a portfolio that he presented when applying for work.

Krebs became a gunsmith for a gun store in Illinois until he decided it was time to build his own name. Backed by a $50,000 bank loan, Krebs established his custom gun shop in 1984 with the help of his wife, Virginia. And in just a few years, he was able to build a solid reputation. Like Ferrari sports cars, guns churned out by the Marc Krebs Custom Shop in Vernon Hills, Illinois are not only aerodynamically-designed, but are also reliable speedsters.

We’ve heard so many astonishing stories about Marc Krebs, that one we challenged him to design a special gun. We requested a piece that would allow Krebs to showcase not only his technical grasp of the latest in firearms technol­ogy and fabrication techniques, but also his flair for the artistic and the daring.

Krebs accepted the challenge. He vowed to build a no-holds-barred, to-hell-with-the-cost super steel gun. It had to be a gun the best shooters could confidently use to win world steel-shooting championships. And it had to be different.

“It’s going to be wild, man. Totally extreme,” Krebs promised.

THE MAKING OF A DRAGON

True enough, the Krebs creation is a marvelous sculpture that could only be produced by the most meticulous of arti­sans. A centerfold gun that reflects the finest components in handgun technology as only a master gunsmith could render.

Krebs scalloped the aluminum STI extended-dust-cover frame to form sharp fangs, transforming the dust cover’s front­end into the menacing lower jaw of a carnivorous reptile. What a beast!

Krebs also chopped a sizeable chunk off the top of the STI slide where he machined the dragon’s mouth and engraved the upper teeth with a small chisel. This exposed a portion of the Schuemann hybrid barrel, its top ports resembling dor­sal fins on the head of a mythical creature.

A small pin threads its way under the mouth and pro­ceeds downward into the dustcover’s front-end, where Krebs created a small track. While in battery, the barrel presses down and tracks on the dust cover – an aesthetic design that also enhances accuracy.dragon3

The gunsmith’s exquisite attention to detail is very evi­dent. He engraved the eyes on the slide and punched nos­trils into the hybrid barrel without harming its grooves.

This design tames recoil by working this way: As the pro­jectile exits the barrel, the muzzle-blast gas expands and initially exits from the Schuemann Hybrid’s upper ports before finally jetting out through the left and right nostrils.

This gun is not only functional but also visually appeal­ing.

When the slide is racked back, the front-end provides the appearance of a dragon with its grisly mouth wide open.

For rapid acquisition of targets, Krebs mounted a C-­More red-dot sight, enhancing the gun’s high-tech appeal. The entire gun weighs less than 1.75 pounds and, when held in hand, feels lighter than a coffee cup. The secret to this brew was Kreb’s recipe of light but sturdy materials.

The Caspian grip safety is aluminum, along with the magazine well, which was attached over the existing mag well’s open­ing to increase support for the palm heel. Even the guide rod was fabricated from featherweight Teflon with Shok-buffs on both ends.

To reduce lock-time, Krebs used a Heinie titanium hammer. This material ensures positive ignition, even with the use of old primers. And since the frame rails are also made of aluminum, our featured gunsmith asked Krieger’s Acc­u-Rails to install their system, which ensures a consistent and tight slide-to-frame fit – a necessity to maintaining accu­racy in competition guns with red-dot sights.

The barrel tracks on the extended dust cover, instead of the front of the slide. When the barrel moves back during cycling, it slides with the tooth assembly that is attached to the rail below the dust cover. Photos by Y.Sued

The barrel tracks on the extended dust cover, instead of the front of the slide. When the barrel moves back during cycling, it slides with the tooth assembly that is attached to the rail below the dust cover. Photos by Y.Sued

Krebs lightened the rear portion of the slide with ser­rations cut at a 20-degree angle. This does not affect the overall capacity of the gun to handle steel loads. Trigger pull is light and very crisp, and does not sacrifice the igni­tion reliability of each hammer strike. The entire gun was finished in super-hard, super-durable Metaloy plating for long-lasting protection.

As a superb finishing touch, Krebs wedged a small piece of metal under the dust cover, making this dragon appear to be sticking our his two-pronged tongue.

This steel gun is very accurate and can hold “groups of under an inch at 25 yards,” Krebs assures us. It’s the kind of gun that doesn’t only offer you the racer’s edge, it also gives you a hyper degree of excitement.

You’ll be overcome by a burning desire to show this rare breed of steel animal to your friends at the range. They might even say that this beauty is the product of a man with a fertile imagination. And it’s true.

As a child, Marc Krebs played with plastic dinosaurs. As a grown man, he plays with steel dragons – fire-spew­ing steel dragons.

(Roni Toldanes was managing editor of Gun World, the oldest firearms magazine in the United States; group managing editor of Knives Illustrated, and editor of Gun Games, America’s shooting sports magazine. He also worked as editor-in-chief of weekly newspapers; news editor, senior copy editor, assignment editor and editorial board member of major daily newspapers in California, Texas, New Jersey, Florida and Georgia. He covered southeast Asia as a foreign correspondent and chief editor of an international news agency.)

KREBS GUNSMITHING, INC.

940 Forest Edge Drive, Vernon Hills, IL 60061

(847) 821-7763

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SMITH & WESSON’S EIGHT OUTGUNS SIX

June 10, 2009

Performance Center’s Model 627 8-shot .357-Magnum

By RONI TOLDANES

When people at cock­tail parties discuss alco­holic beverages and mention the word Mag­num, they mean a very large wine bottle. But when they talk about guns and drop the same word, they usually mean the big-bore wheelgun with a thundering blast.

That’s the stereotyped image of the .357-Magnum, a reputation that could have been brought about in recent years by the “Dirty Harry” go-­ahead-make-my-day movies.

Smith&WessonfinalAnd this reputation isn’t entirely without basis.

Smith & Wesson developed the .357-Magnum in 1935. Its first pro­duction revolver for the cartridge was given to J. Edgar Hoover, the first director of the Federal Bureau of Investigation (FBI). The manu­facturer promoted the .357-Magnum then as “the most important hand­gun caliber developed in the 20th century … because it introduced the higher power that were unknown before in handguns.”

During the past 60 years, .357-Magnum revolvers ranked among the top choices for home defense and were mainly carried by law enforcement officers who disliked semi-autos. Since then, the gun’s design and features have virtually remained the same.

As the shooting circuit matured through the years, custom-made revolvers that looked like space guns began appearing at major tour­naments. Custom gunsmiths took advantage of the absence of factory-­produced competition revolvers and began crafting their own wheelgun designs based on stock revolvers.

This formed the groundwork for a new project by the Smith & Wesson Performance Center. They aimed to produce a modern version of the revolver that would finally quench the thirst of competition shooters. It needed to have more than six rounds in the cylinder.

The result is the Model 627, the hottest competition revolver to ever come out of the Smith & Wesson Performance Center.

The Model 627 is a .357-Magnum based on the venerable N-frame. It comes in two models: An “Open” version that includes a built­-in compensator and red-dot optics and a “Limited” version for those who want to race without all the bells and whistles. In car racing they would be the Formula One and the Stock Car versions.

Competition shooters discovered many years ago that the .357-Mag­num revolver, when loaded with .38 Special ammunition, was ideal for action shooting tournaments.

But why .38 Special? Well, because it offers the speed shooter the ability to perform a faster reload in the heat of competition. Other loads such as the .38-Super jiggle when mounted on moonclips, while .38 Special ammo fit rigidly. Without this undesirable jiggling, the shooter can line up his ammunition into the charge holes faster when he per­forms his speed reloads. And this is where the Model 627 becomes really handy.

The 627 accepts moonclips, an indispensable equipment for competitive shooters who appreciate the significance of saving precious microseconds during speed reloads.

Competition shooters also realize that while the .357 Magnum is a great load for self-defense, it is way too powerful for the ballistic require­ments of sports shooting. The .38 Special’s case is more than adequate to handle the elevated pressure requirements necessary to drive the hottest revolver compensators in the shooting circuit today.smith&wesson8bb

Since the Model 627 was built to withstand sizzling Magnum loads, it should have no problem firing even the hottest high-performance .38 Special reloads.

But it is the 627’s eight-shot configuration that makes many revolver action shooters salivate. Eight shots provide the extra fire­power they need to be competitive in action shooting tournaments.

In matches organized by the International Practical Shooting Con­federation (IPSC), where courses of fire are traditionally designed with 8-round strings per shooting location, an eight-shot revolver sets the wheelgunner on almost equal footing with competitors who use semi-autos.

Gone are the days of time-consuming standing reloads. Just like his semi-auto competitors, the revolver shooter can now perform his reloads as he moves from one shooting box to another instead of performing it while in a fixed position.

In Steel Challenge competition, where revolver shooters shoot at five steel targets per run, the Model 627 allows the shooter to recover his misses with three extra rounds in the cylinder. This definitely lev­els the playing field between revolver and semi-auto steel shooters.

The Performance Center knows that the shooting sports arena is the racetrack of future street guns. This is where radical firearms concepts are designed and tested before they reach the blueprint stage of the manufacturing process. So when the Performance Cen­ter decided to build this gun, they consulted several people, includ­ing World Revolver Speed Shooting Champion Jerry Miculek and Ken Jorgensen, S & W’s public relations manager.

Jorgensen is an active revolver shooter and he hangs around with the world’s fastest wheel­gunners. He understands the meaning of cutting-edge technology in the revolver world.

The three-man team involved in the Performance Center’s pro­ject to build the Model 627 were chief designer Paul Liebenberg, project coordinator Jimmy Ray and engineer Dick Mochak.

Liebenberg, an immigrant from South Africa, became one of the country’s most popular gunsmiths when he opened his Pistol Dynam­ics custom shop in Southern California in the late 1970s. is radical yet tasteful designs have been featured in various gun magazines around the world. He was the natural choice to head the design aspect when Smith & Wesson decided to open its Performance Center in 1990 to cater to custom needs of its distributors and select clientele.

When Liebenberg began working on this new project, he veered away from the traditional method of the manufacturing process. Usually, the blueprint is made before the gun parts are produced. This time, Liebenberg did the opposite.

“We started cutting metal even without the blueprint,” says Jimmy Ray, who has been with Smith & Wesson for 25 years. “We did it by feel.”

Ray said the most challenging part of the building process was the creation of the 8-shot cylinder. To design this cylinder they had to spread out the charge holes and make space for eight rounds of a big caliber. By spreading the charge holes, they had to change the cylinder-to-barrel alignment. No problem. The Performance Center team simply raised the barrel lineup by 0.035 of an inch compared to the standard configuration. The position of the firing pin was also adjusted to conform with the new centerline.

The charge holes in the cylinder were also chamfered and beveled to enhance the speed of loading and extracting spent shells. This cuts the reloading time, much like the function of an enlarged magwell in semi-auto pistols.

The cylinder latch thumb piece was ergonomically designed to give the shooter quick access, allowing him to open the cylinder faster. That design has recently been adopted by Smith & Wesson for all their revolvers.

The people at Smith & Wesson know that revolvers haven’t changed much over the last fifty years. The challenge was to pro­duce a gun with a distinctive look while maintaining the traditional appeal.

It should have a perfect blend of the old world charm and the functional beauty of modern technology. And it should not have the appearance of a funny-looking space gun.

Liebenberg’s aesthetic influence is evident in the flowing lines and angles this model.

The team initially worked on the major parts, such as the barrel. For a faster draw from the holster, they lightened the barrel by flat­tening both sides, making it look like a slide for semi-autos. It was also swept up at the bottom to further reduce its weight, “without affecting the barrel’s overall strength,” Ray says.

The downside to a .357 magnum is that recoil can be pretty nasty.

This is not true if you have an effective compensator, like in the case of the Open category revolver: Two trapezoidal ports on each side of the 6-inch revolver are said to be much more effective at reduc­ing recoil without sacrificing velocity. The Limited category gun does­n’t have the ports and features a shorter 5-inch barrel. The Open gun has been tapped and drilled to accept Weaver-type scope mounts. Besides these differences, the two stainless steel guns are identical.

A Tasco PDP3, one of the most popular red-dot scopes on the cir­cuit today, crowns the Open revolver. With this optical set-up, the gun is ready to battle with the fastest blasters on the speed shooting circuit.

Hogue rubber grips were used for the Limited centerfold gun and wood grips for the Open, but Ray said the final productions guns for both models will come with exotic wood grips.

Both guns will leave the factory with 3.5 to 4 lbs. of trigger pull when in the single action mode and 9 lbs when used in double action. Does that ring a bell in your brain? It should, if you’re used to shoot­ing custom semi-autos with very light triggers.

As a company policy, Smith & Wesson revolvers come with “generic” factory triggers.

If you live in the United States, you should understand why. Americans actively exercise their right to bear arms and their freedom to call their attorneys. For the Performance Cen­ter, the trigger pull is a delicate liability issue. So the standard factory triggers were meant to avoid accidental discharges – and lawsuits.

Lighter, custom trigger pulls, however, can be arranged from the S&W Performance Center as an after-market job. They know the needs of competition shooters and, Ray said, they would be more than happy to accommodate experienced action shooters who desire very light and crisp trigger pulls.

With almost a century and a half of experience making revolvers, the people at Smith & Wesson should know how to make a pretty good one by now. The Model 627 triggers no disappointment. Fit­ting and metalwork is very well executed.

Before each Model 627 leaves the factory, it will be manually pol­ished by hand using Arkansas polishing stones to take out the machin­ing marks and provide a smooth transition among metal parts, said Ray, the project coordinator.

Ray said Lew Horton Distributing Co., would market the Lim­ited guns while the Open revolvers would be available through the Per­formance Center. The retail prices on these guns have not been set, but we hear it will be priced lower than the most popular custom revolvers in the circuit today. If you don’t have the budget to buy both ver­sions, it’s going to be very difficult to decide which one to bring home.

Both guns are impeccably engineered to perform their required tasks. But if you decide to get the Limited gun, check the iron sights. It should have an adjustable black blade sight and a front sight which Smith & Wesson calls McGivern gold bead. It was named after Ed McGivern, who was considered the fastest shooter alive in 1955 after he put five shots into a half dollar-sized group in less than 9/20 of a second using a Smith & Wesson revolver. He did it without any help from the purveyors of race guns – the Smith & Wesson Perfor­mance Center.

Imagine how fast McGivern could have fired those five shots if he had the S&W Model 627.

He could have even fired eight shots.

(Roni Toldanes was managing editor of Gun World, the oldest firearms magazine in the United States; group managing editor of Knives Illustrated, and editor of Gun Games, America’s shooting sports magazine. He also worked as editor-in-chief of weekly newspapers; news editor, senior copy editor, assignment editor and editorial board member of major daily newspapers in California, Texas, New Jersey, Florida and Georgia. He covered southeast Asia as a foreign correspondent and chief editor of an international news agency.)


KIM STROUD’S BIANCHI CUP PISTOL: SWEET ACCURACY

June 10, 2009

By RONI TOLDANES

It was love at first sight. Literally.

Kim Stroud built a high-capacity pistol with a red-dot sight several years ago, shot her first Practical Shooting tournament and felt her heart melt. By her own account, that began her love affair with shooting – and guns.

“It’s addicting,” Stroud says, “because it’s a very competitive sport ‘that requires a combination of speed and accuracy. It’s really very challenging.”

kimstroudStroud, 34, began shooting action pistol tournaments only in 1992, but she started building guns in 1988. She was the first woman accepted into the American Pistolsmith Guild (APG), the most prestigious associa­tion of gunsmiths in the United States. She’s also a member of the American Handgunner Club 100, considered “a roster of the best and the brightest in the pistolsmithing profession.” Those honors help her quickly eradicate doubts about her ability.

When she became a full-time gunsmith at Gun Craft eight years ago, Stroud initially received mixed reactions from her customers. Even now, new customers roll their eyes as soon as she intro­duces herself as the gunsmith who would be working on their guns. “They come up and ask you so many questions,” Stroud recalls. “They want to find out if you know what you are talking about.” After firing off a staccato burst of technical questions, the loquacious customers get impressive answers and discover that Stroud is one heckuva gunsmith. “When they realize you have the answer for everything,” she says, “they relax. They are actually tickled by the fact that their guns would be built by a woman.”

Stroud says that building guns was not one of her original goals in life. She was working for a precision med­ical supply company when her father, Ben Jones, who owns Gun Craft, prodded her to give pistolsmithing a try.

Stroud’s father didn’t encounter much difficulty convincing her, even though she jokingly says “my dad chained me to the bench” to force her to work on guns.

She was work­ing for what she called “a dead­-end company” and she knew it would be the height of silli­ness for someone not to consider other professional avenues.

Guided by her fellow gunsmith Dave Smith, Stroud joined Gun Craft in 1989 and started out with the basics – cleaning and assem­bling pistols. She began her shoot­ing career when her father and Smith pointed out that joining tour­naments would help her better understand what her customers needed. In 1993, she joined the USPSA Open Nationals as a B-Class shooter.

Despite several penalties for not following the course descrip­tion, she says she had fun.

A year later, she bagged the Top Lady trophy at the Florida Invita­tional Pistol Tournament (FIPT) and today, she is “just about a half-­inch away” from being classified as a Master Class shooter.

Then Stroud joined the Bianchi Cup for the second time and took third place in the Ladies division.

When Stroud talks about shoot­ing, her voice backfires with excite­ment. She says her dedication paid off.

Her consistent shooting per­formance has attracted several spon­sors, including Vihta Vuori, STI, Rndolph Engineering, which man­ufacturers shooting glasses; and “mom and dad,” her biggest fans and sponsors.

Stroud’s insatiable appetite to learn and her exemplary ways of dealing with her customers formed part of the basis for her acceptance into the APG in April 1992.

The quality of her work, of course, was the main reason. Each pistol pro­duced by Kim Stroud evinces a gun­smith’s artistry. Her custom pistols are functional, yet they show no exaggerated design.

“We try our absolute best to make the appear­ance of the gun as exceptional as its ability,” Stroud says in a quiet voice. “The finished product reflects your craftsmanship. You have to take pride in what you do.”

Kim Stroud’s refined taste shows even in a firearm equipped with the latest technological gizmos. She builds guns that look extraordi­nary but not bizarre.

Stroud’s broad list of customers – doctors, lawyers, rock stars, among others – doesn’t purvey a concrete clue about her reputation.

Several years ago, however, she was commissioned to build a custom Para rdnance pistol that was pre­sented to the President of Austria. Now that’s what even the most deft of hands in the gunsmithing pro­fession would call prestige.

Usually, two simple but very sig­nificant words – reliability and accu­racy – sum up the leitmotiv of praises heaped on Stroud by her satisfied customers.

This Bianchi Cup gun explains why.

We asked Stroud to build a work­ing gun. When you look closely at the pictures of this gun, you will notice scratches, smudges and even powder residue. That’s because we specifically asked for the type of gun that shooters use in competition.

In fact, Stroud went to battle with this gun at the Sports­man’s Team Challenge, in which her team won the Ladies division; and the Bianchi Cup, where she placed third overall in her category.

Stroud created this centerfold gem using a single-stack frame and slide from Caspian Arms of Hard­wick, Vermont. While other shoot­ing events offer a plethora of advan­tages for shooters with high-capacity guns, single-stack pistols are pre­ferred by top shooters at the Bianchi Cup, where courses of fire require only six rounds. More ammo in the magazine increases the risk of receiv­ing penalties for firing extra rounds.

The Caspian frame’s slim grip makes it easier to control during recoil, but Stroud further improved the grip surface with her hand-check­ering, creating 20-lines-per-inch of diamonds on the gun’s front strap.

Trigger poundage ticks the 2­-something level, but the actual felt trigger pull for this centerfold gun is around 1 ½ pounds. The trigger action, compared to standard 1911 pistols, allows the shooter to “swing” his finger instead of letting it “slide.” This is because of Gun Craft’s pro­prietary pivoting trigger system.

The increased mechanical lever­age provided by this trigger system lightens the felt poundage without the need for super-thin hammer hooks. The separate, lightweight, one-piece bow has an oversize pad and was fitted for the exact length of travel and minimum take-up.

With the pivoting trigger sys­tem, the gunsmith can produce a super-light trigger pull without worrying about hammer follow, which, for the benefit of gun owners with­out sufficient technical knowledge, simply means that there’s no pos­sibility for this gun to accidentally go into full-auto mode.

Stroud expounds on the virtue of having a smooth trigger job set to the shooter’s preference. “I don’t like a super-light trigger pull,” she says. “For me, around 2 pounds is preferable so I don’t have to worry about an accidental discharge.”

From what looked like an ordi­nary pistol, Stroud gave the Caspian gun a sweeping transformation by topping it with a Bushnell HoloSight and a Gilmore shroud, a vital acces­sory for Bianchi competitors who prefer propping their pistol against the barricade in the Barricade Event.

The shroud completely encases the frontal area of the slide. The “wings” on both sides of the shroud allow the shooter to press the gun against the barricade, steadying each shot for pinpoint accuracy.

This gun also features the HoloSight’s “Tombstone” reticle pattern. It was designed for Bushnell by Bruce Piatt, who won the Bianchi Cup using the same reticle. The electronic sight uses holographic technology. The shooter simply looks through the heads-up display window to see a bright red image of a reticle pat­tern projected onto the target plane.

The “Tombstone” reticle, which retails for around $79.00, comes with an outline of a tombstone­-shaped target as a sighting system. Three dots are positioned in a hor­izontal line in the center.

At 25 yards, the reticle’s tombstone pat­tern fits perfectly on the outer edges of the tombstone-shaped brown paper target. The middle dot is used when aiming at stationary targets, much like an ordinary red-dot scope. The right and left dots are used to estimate leads when shooting moving targets at the Bianchi Cup’s nerve-wracking Mover stage.

Stroud says guns for Bianchi competition require utmost accu­racy. “The important thing,” she says, “is to have reliable sights, a smooth trigger job and outstanding barrel fit.”

Our featured gunsmith certainly knows what she’s talking about. Having shot it in practice and at the Bianchi Cup, she proudly claims that this  gun, when fed with light .38-Super loads, holds consistent shot groups of 0.75 of an inch at 50 yards.

She achieved that amazing accuracy using the new Sierra 125-grain bul­lets, VihtaVuori powder, Winches­ter brass and Federal primers.

Stroud built a gun that’s heavier than pistols used in steel shooting tournaments because the extra weight is necessary at the Bianchi Cup.

There are four events in Bianchi tournaments; Mover, Plates, Prac­tical and Barricade. Except for the Plates event, where a lighter gun is advantageous for faster target-to-­target swing, all the other events would require a heavier and more stable gun.

“But you have to find a happy medium,” Stroud explains. “You don’t want something that’s too heavy or too light because you’re not allowed to change guns at the Bianchi Cup.”

Asked if she’s not intimidated when her works are compared to her male counterparts, Stroud’s reply exudes the confidence of a maestro: She says her colleagues look up to her with respect because of the quality of her work and her ethics towards her customers. Impressive guns are based on those standards, not gender, she declares.

Stroud welcomes the idea of hav­ing more women joining her profes­sion. It might be an impossible task for others but, waxing a little bit philosophical, she says women should think of the case of the bumblebee.

“Based on its weight, its wingspan, its energy capacity, and its strength, according to the laws of aerody­namics, the bumblebee is incapable of flying,” she explains. “But you see, the bumblebee doesn’t know that, and so it flies anyhow.” That’s Stroud’s favorite way of thinking about the problems facing anyone who goes off into the impossible.

Men who’ve doubted a woman’s ability to succeed in the macho world of shooting and gunsmithing should look at Kim Stroud, a woman who likes to face spectacular challenges.

“Until you try, you will never know that you can always do more – much more – than you think you can. Never say you can’t. Just do it.”

Just like the bumblebee.

(Roni Toldanes was managing editor of Gun World, the oldest firearms magazine in the United States; group managing editor of Knives Illustrated, and editor of Gun Games, America’s shooting sports magazine. He also worked as editor-in-chief of weekly newspapers; news editor, senior copy editor, assignment editor and editorial board member of major daily newspapers in California, Texas, New Jersey, Florida and Georgia. He covered southeast Asia as a foreign correspondent and chief editor of an international news agency.)